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The Trade Desk Privacy Policy. Toggle off Snap mode by clicking its icon on the status bar, thus disabling PolarSnap. Move the cursor horizontally to the right until it overshoots the last line drawn in step 5.

Click to draw the line without worrying about its length see Figure 3. Right-click to complete the command. Type F for Fillet and press Enter.

Verify that Radius is set to 0 in the Command window and then click the vertical and horizontal lines on the portions of the lines that you want to keep marked A and B in Figure 3. Select Running Object Snaps The lines you have drawn thus far are all precisely connected because they were chained together as they were drawn or their coordinates were known.

Aside from these special circumstances, lines must be connected using object snaps to ensure accuracy. Press Z and then Enter. Zoom in again if necessary until you can see that the endpoint of the line you just drew is not on the horizontal line see Figure 3. No matter how carefully you clicked point A in the previous step, the line you drew will not be on the edge it will either fall short of it or overshoot it. You can toggle on one Click Zoom Previous again if necessary to return to the original object snap type at a time using the Object view.

Choose Object Snap 4. Click the line drawn in step 3, and press the Delete key. Settings from this menu 5. Toggle on Object Snap on the status bar. Right-click the same icon to access the Select All and Clear All buttons.

Toggle off Polar Tracking on the status bar. Move the cursor close to point A in Figure 3. Move the cursor down to point B and wait until the green marker appears, perpendicular marker appears. When it does, click the drawing AutoCAD will calculate the desired point exactly. Press Esc to end the command. This line is connected precisely at both ends because I Object Snap was used.

Zoom into point A or B in Figure 3. Click Zoom Extents in the Navigation bar to return to the initial overall view. Hold down Shift, right-click to open the Object Snap context menu, and choose Nearest. Object snaps invoked from the context menu override any running object snaps. Click point A, shown in Figure 3. Nearest ensures that the new line is I attached somewhere along the edge of the horizontal line. Choosing None in the Snap context menu overrides any running snaps with no snap.

Move the cursor close to point B, as shown in Figure 3. Harness the From Snap Rather than snapping to an existing geometrical feature such as an endpoint, midpoint, intersection, and so on , how do you snap a set distance and direction from one? Answer: Use the From snap, as shown in the following exercise. Hold Shift and right-click to open the Object Snap context menu. Select From in the context menu. Click point A shown in Figure 3.

This is the point from which you will specify a displacement. Move the cursor to point B and wait for the running perpendicular snap marker to appear. When it does, click to specify the second point of the line. Select the line you just drew and press the Delete key. Apply Object Snap Tracking Object snap tracking is for situations where you want to snap to a point that has a geometric relationship with two or more snap points. Toggle on Object Snap Tracking by clicking its icon on the status bar.

Move the cursor over point A in Figure 3. Do not click yet. Move the cursor over point B in Figure 3. Move the cursor down vertically to establish the second tracking line. Again, do not click yet. Move the cursor down until both tracking lines intersect. When they do, click point C to set the center point of the circle.

Type 9 or for metric and press Enter to create a circle with a radius of 9gg or mm. Click the Rectangle tool on the Draw panel.

Move the cursor over the endpoint marked A in Figure 3. Move the cursor to point B in Figure 3. Type 1f,-6 or , for metric and press Enter. The rectangle and drawing is complete see Figure 3. Now You Know In this chapter, you learned how to draw with Grid and Snap when your geometry conforms to a spatial grid; how to use Ortho and Polar Tracking to draw horizontal, vertical, and angled lines; how to use PolarSnap when angled lines are measured in set increments; how to use running object snaps to save time connecting objects; how to use the From snap to draw in relation to another object; and finally, how to use object snap tracking to snap to points implied by the position of other snap points.

Most of your time will be spent editing entities. In complex drawings you have to plan how you will select only those entities you want to edit while leaving all other entities unaffected.

You will learn a number of techniques for adding and removing entities from the selection sett, which is the collection of entities your chosen editing command acts upon. In complex drawings, selecting would be tedious if you had to click one object at a time. Zoom into Stair A in the building core. The prompt in the Command window reads as follows: ERASE Select objects: This is the same way almost every command begins—with the opportunity to create a selection set.

Click point A and then B, as shown in Figure 4. Observe that a Objective transparent implied window appears between these points. The www. This particular selection includes the stair arrows, handrails, and three lines representing stair treads near the break lines. Type R for Remove and press Enter. Whatever the green window crosses is selected. The crossing selection removes the handrail and two of the stair treads because the selection was made at the Remove objects: prompt.

Click point A and then point B, as shown in Figure 4. This implied window selects the short line segment trapped in the break line and removes it from the selection set. Type A for Add and press Enter.

Click both of the break lines to add them to the selection set. All of Objective the break line segments are selected in two clicks because the break lines are polylines. Hold Shift and click the break lines again. They are removed from the selection set without being at the Remove objects: prompt. Click point A, as shown in Figure 4. Press the down-arrow key to J expand the dynamic input menu onscreen. Select WPolygon.

The related CPolygon option creates a polygonal crossing A window, shown in transparent green. The Fence option allows you to draw a multisegmented line that selects whatever it crosses.

Click points B through H, as shown in Figure 4. Only those objects completely contained within the borders of the blue window will be selected. Press Enter to make the selection. Square blue dots appear on the selected objects—these are called grips, and you will learn to use them later in this chapter. Press Esc to deselect. Toggle on Ortho mode in the status bar. Without being concerned with measurements or accuracy, draw a line under the word Stairr, a circle around the letter A, and a rectangle around the entire section, in that order see Figure 4.

Select the circle and the line and press Enter. The grips for the circle and line appear; press Esc to deselect. Click the Erase icon on the Modify panel. At the Select objects: prompt, type P for Previous and press Enter.

The circle and line are You can select the entire drawing by typing selected because they comprise the set of objects that was selected all at any Select previously. Press Enter again to delete these objects.

Type L for Last and press Enter. The rectangle is selected because it was the www. There can be only one last object. Press Enter again to delete the rectangle. Click the dot at the end of the stair direction line shown in Figure 4. When Selection Cycling is on, you are presented with the Selection dialog box whenever your selection is ambiguous.

Hover the cursor over the items in the list, and each one is highlighted in blue on the drawing canvas. Select the line in the list that highlights the stair direction line as shown in Figure 4. Click this dot.

Select one of the vertical tread lines in Stair A by clicking it. Right- click and choose Select Similar from the context menu that appears. All lines on the same layer are selected; you might have to zoom out to see both stairs see Figure 4. Other object types on the same layer remain unselected because they were not similar enough. Press Esc. Here you can choose criteria to determine which object properties must match in order to be selected by this useful com- mand: Color, Layer, Linetype, Linetype Scale, Lineweight, Plot Style, Object Style, or Name.

Exercise 4. Click the chair that is not in front of a desk to select it. Position the cursor over the selected chair but not over its grip. Drag the chair while holding down the left mouse button to move it closer to the upper desk; see Figure 4. To position the chair more precisely, click the Move tool on the Modify panel.

Select the chair you just moved in the previous step and press Enter. Click the base point at the midpoint of the front of the chair point A in Figure 4. Click the second point B in Figure 4. The chair is moved precisely to the midpoint of the desk edge. Press the spacebar to repeat MOVE.

Type P and press Enter twice to Objective select the same chair again. Type D and press Enter once more to choose the Displacement option. Any coordinates you enter are relative to the origin, so typing the symbol is unnecessary. Click the Copy tool on the Modify panel. Select the chair you just moved and press Enter twice. Select the midpoint of the desk point B in Figure 4. Press the spacebar to repeat the previous command, select both desks Objective and chairs with crossing windows but not the low partition between them , and press Enter.

Select point A in Figure 4. Type A and press Enter. Type 3, press Enter, and then click point B in Figure 4. Pan over to the Conference room. Select the Object option by clicking Object on the command prompt. Select the inner-left wall line and watch as the crosshair cursor changes to parallel the angle of the wall see Figure 4.

Toggle on Ortho on the status bar if it is not already on. Type CO for Copy and press Enter. Select the chair that is against the left wall of the Conference room and press Enter. Click an arbitrary base point by clicking in the empty space of the Conference room. Move the cursor down along the direction of the wall and click the Array option. The command prompt reads as follows: Enter number of items to array: Type 5 and press Enter.

When the spacing looks right see Figure 4. The crosshair cursor returns to its default orientation. Numerically speaking, you typically rotate by degrees or scale by percentages about base points. On the other hand, you can avoid using numbers entirely by choosing the Reference options, which let you rotate or scale selection sets in relation to other objects.

Click the Rotate button on the Modify panel, select the upper lounge chair, and press Enter. Toggle off Ortho and Polar Tracking if it is on in the status bar. Move the cursor around the point, and observe that a rubber-band line connects the base point to your cursor and a ghosted image of the chair is superimposed over the original chair representation.

Move the cursor until the rubber band aligns more or less perpendicularly to the wall behind the chair see Figure 4. Click the chair that you just rotated to select it without issuing an explicit command. Hold the Ctrl key, and repeatedly press the arrow keys to nudge the selected object a few pixels at a time. Nudge the chair so that it is a similar distance from the wall and the round table as compared to the other armchair in Reception.

Press Esc to deselect all. Zoom out and focus on the upper-left quadrant of the building. Select the furniture group shown in Figure 4. Select midpoint A as the base point, and select midpoint B as the second point.

Type RO for Rotate and press Enter. Type L for Last and press Enter twice. Select the same midpoint where the furniture group was attached to the midpoint of the shell window wall as the base point of the rotation. Instead of specifying the reference angle with a number, you will determine the angle interactively. Type and press Enter to input the base point of the rotation as the base point of the reference angle. Click endpoint A as shown in Figure 4.

Pan over to the upper-right quadrant of the building and zoom in on the oversized round table. Click the Scale icon on the Modify panel, select the circle representing the table, and press Enter. Right-click the Object Snap icon in the status bar and select Center from the context menu.

Click outside the menu to close it and then snap to the center of the circle by hovering over the circle and then moving the cursor to its center and clicking. Toggle on Ortho on the status bar, and move the chairs closer to the table, both horizontally and vertically. Work with Arrays Arrays produce single associative objects, which you can edit at any time to alter the parameters of the array. You will learn how to create two types of associative arrays: rectangular and polar.

Type OB for Object and press Enter. Select the left side of the bottom-left edge of the table in the Small Conference room. Click the Rectangular Array tool on the Modify panel. Select both chairs on the sides of the conference table and press Enter. Change Columns to 1 and Rows to 5 on the temporary Array Creation tab that appears on the ribbon. Type 2 f4 72 for metric in the Between text box in the Rows panel and press the Tab key I see Figure 4.

Select the Associative toggle in the Properties panel if it is not already blue. Click Close Array on the ribbon. Select one of the new chairs and observe that all the arrayed chairs are selected as a unit. Click Close Array. Type UCS and press Enter twice to return to the world coordinate system. Type AR for Array and press Enter. Type PO for Polar and press Enter. Type 12 in the Items text box on the ribbon and press Tab. The table is a bit too large. Click the circle to select the table.

Type 4 f6 or for metric to set a new radius. Press Enter and then Esc. Click any one of the chairs to select the polar array. Hover the cursor over the base point grip and choose Stretch Radius see Figure 4. Type 5f9 or for metric ; then press Enter and Esc. The chairs more closely wrap around the smaller table. Instead, these com- mands are used for arraying points. Click the Extend tool on the Modify panel it is nested under Trim.

Select the inner line of the bottom core wall and press Enter. Create a crossing window by clicking points A and B, as shown in This line will be the boundary edge that Figure 4. Four tread lines are extended. Click each remaining you will extend the tread line, one at a time, to extend all the stair treads to the core wall. Press Enter to end the command. Type TR for Trim and press Enter. Select the upper and lower handrail lines to act as cutting edges and press Enter.

Make a narrow crossing window in the center of the handrail to trim away all the treads that pass through the handrails and press Enter. Type EX for Extend and press Enter. Hold Shift and click each one of the treads passing through the handrail. Type and press Enter. Click the line segment on the right side of the incomplete copy machine to lengthen it toward the right. Type S for Stretch and press Enter.

Click points A and B as shown in Figure 4. Toggle on Ortho if it is not already on. Click a base point off to the right side of the door opening, well away from the geometry so that you do not inadvertently snap to anything. Move the cursor down www. The wall, door, and swing end up more or less centered on the wall. Click the Offset tool on the Modify panel. Select the elliptical arc at the bottom edge of the Copy Room. The command line asks you to specify a point to determine on which side of the selection to offset the new object.

In this case, click anywhere above the elliptical arc, and a new ellipse is created such that its curvature matches the original but is spaced a set distance away. Press Esc to exit the command. Type F for Fillet , press Enter, and click the new elliptical arc and the inner line of the adjacent vertical wall on the right. Press the spacebar to repeat the FILLET command and click the elliptical arc and inner line of the adjacent vertical wall on the left.

The intersections between the wall objects are cleaned up see Figure 4. Zoom into the furniture system that is missing two desks in the upper-right quadrant of the building.

Click the Mirror tool on the Modify panel. Make crossing and individual line selections to select the desks and chairs shown in Figure 4. The command line reads as follows: Specify first point of mirror line: Click point A, and then move the cursor up and click point B to draw the mirror line. Double-click the mouse wheel to zoom to the drawing extents. Select the furniture system indicated in Figure 4. The origin point is at Mirror a copy here.

Select this group. Press Enter to complete the command and decline to erase the source object by pressing Enter again. Select the inner line of the window wall directly below the sofas, right-click, and choose Properties from the context menu. Make a note that the Angle property of this line is Click both sofas and the coffee table in between them to select all three. Click the grip in the center of the coffee table to activate it and turn it red. Press the spacebar again. Type ‘CAL to invoke the command-line calculator transparently.

Type Negative angles rotate 6. You learned several methods for selecting objects so they can be edited with these commands. In addition, you learned how to edit objects directly, without issuing commands, by editing with grips. You can also create splines that seamlessly blend between existing straight or curved objects while maintaining smooth or tangent continuity. Exercise 5. Figure 5.

Click the Polyline tool on the Draw panel of the ribbon. Type A for Arc and press Enter. Toggle off Ortho and Polar Tracking modes if they are on. Observe that the arc you are drawing by default opposes the natural curvature of the lake see Figure 5. Type S for Second Point and press Enter. Click point B shown in I Figure 5.

Right-click the Object Snap toggle in the status bar and turn on Node and Endpoint in the menu. Toggle off any other snap options that are selected. Toggle on Object Snap if it is off. Click each subsequent node around the left half of the lake until you By turning on Node reach point C in Figure 5.

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